Swapping miniature tubes in Effectrode pedals is as quick and easy as changing a light-bulb. First disconnect the pedal from the mains power outlet. A tube can be removed by gently gripping and pulling the glass envelope whilst wiggling it in a circular motion. When replacing a tube make sure the pins are aligned correctly with the tube socket and gently push it into position. Never use excessive force to insert the tube as this may bend pins. Tubes in Effectrode subminiature pedals (PC-2A Compressor, Helios Fuzz and Fire Bottle boost) cannot be removed as these are soldered in position inside the pedal.
There is no comparison! The PC-2A is in completely different league to boutique compressors cloned from the Japanese Ross op-amp circuit. The PC-2A is a miniaturized, ruggedized version of the U.S.A. manufactured Teletronix LA-2A compressor in the 1950s with a tube and photo-optical signal path. The all-tube signal circuit means the PC-2A is a little more power hungry than an op-amp based compressor, but the tone quality is outstanding!
We provide a 7-Day 100% Satisfaction Guarantee. If you are not completely satisfied with our pedals for any reason, return it for a full refund of the purchase price, full credit, or exchange of your choice. We give you 7 days from receipt of the pedal. Should you find it necessary to return a pedal, it must be shipped within this 7-day guarantee period. All returned items must include a Return Authorization Number, be in the original packaging complete with the power supply, warranty card and owner’s manual, and show no signs of wear or abuse otherwise the return will either be refused or subject to a 25% restocking fee. Should you decide to return your pedal, please obtain a Return Authorization Number from us by email. Paypal payments will be refunded directly through Paypal. Refunds are made for product value only, excluding shipping and handling charges. All returns must:
- Include a return authorization number
- Be in the original packaging complete with power supply, warranty cards and manual.
- Be in brand-new condition, showing no signs of wear or use such as scuffs, dings, or scrapes on the pedal or collateral materials.
Additionally, all our pedals are covered by a five year parts and labour warranty excluding tubes. The tubes are warranted for a period of ninety days from the date of purchase. If you need to return your pedal for warranty repair, please contact Effectrode for Return Authorisation and information.
Our preferred method of payment is cashiers or personal checks (payable to ‘Effectrode’), however we also accept PayPal payments (add 2.5%). Shipments will be made to the verified shipping address on the account – if this is an issue, email us with additional shipping information. Note that all personal checks must first clear our bank before your order will be shipped. This will substantially delay the shipment of your order (approx 10 working days). If ordering from outside the USA please contact us for a shipping quote and new price total.
The Tube Drive and Blackbird both employ 4-stage tube clipping circuits to create overdrive and distortion. The clipping circuitry in the Tube Drive is optimised to produce more symmetrical clipping distortion, whereas the Blackbird is more asymmetric. In practice the Blackbird responds and operates like a typical tube amp. Another difference in the circuitry is in the tonestacks – the Blackbird has a traditional passive Fender tonestack. This tonestack was developed by Leo Fender back in the 1960s and used on his Deluxe and Twin Reverb tube amplifiers. Over the decades guitarists ears have unconciously become used (adapted?) to expecting this mid-scooped voicing as a standard reference eq as it is found in many other guitar amps including amps manufactured by Marshall, Soldano and Boogie.
The Tube Drive has my own custom designed active triode Baxandall tube tonestack. This has zero insertion loss and maintains mid frequencies and has a thick, powerful warm tone with an incredible amount of punch. This is especially useful when soloing or where you want the guitar to cut through the mix without sounding harsh or overbright.
The short answer is, ‘No’. The Voodoo Labs, ‘Flatliner’ and ‘Trex Fuel Tank’ power supplies are designed or low-power transistor/opamp pedals and simply cannot supply enough juice for real vacuum tube gear. Effectrode pedals are more like tube amplifiers in their power supply requirements and demand high currents and voltages to operate correctly. A typical transistor pedal will use in the order of just a few milliamps, Effectrode pedals require a minimum of 1200mA.
The Vibralux has it’s phase-shift sections custom tuned for a spacious, more ethereal sound than the Tube-Vibe. The designers of the original Uni-Vibe adapted it’s sinewave L.F.O. (low frequency oscillator) circuitry so that it would generate a more ‘squared-off’ waveform at higher speed (modulation) settings for more pronounced, throbby in character. I designed the Vibralux with a view to create more shimmery and lighter chorusing sounds – you could say the Vibralux is more feminine in character. Additionally the Vibralux has dual LFOs so the sweeps are more complex, subtle and randomised – again, more feminine! (I know I’mn goingto get into trouble for saying that!). It really is a different creature from the Tube-Vibe. That said, on some settings there may be a little crossover in the character of the pedals, especially if the Tube-Vibe is set to ‘smooth’ mode. Technically these pedals do similar things, however like overdrive and distortion pedals, the differences in implementation yield essential in tone and ‘feel’ of the pedal when playing through it.
Yes, the tubes operate at 300 Volts D.C. All pedals incorporate a transformerless high voltage power supply which is fully regulated and smoothed to ensure low noise. There are some manufacturers operating tubes at voltages as low as 12 Volts. I guess this is for economic reasons or for lack of ability in power supply design. It’s certainly not for better tonal quality because low voltage operation (current starvation) of tubes sounds terrible. To avoid an electrifying experience, refer servicing to qualified personnel only. High D.C. voltages of over 300 Volts are present in the circuit. Whilst working on the power supply design for these pedals, I’ve experienced an electric shock or two and it’s not a pleasant experience. Beware!
Yes. Signal is switched using an audio relay with gold plated contacts. A nice feature of Effectrode pedals is that they will default to bypass if power is lost to the pedal, ensrung that you can continue to play. These relays are designed specifically for routing audio signals whilst maintaining high integrity. Unlike multi-pole footswitches, which fail easily and were not originally intended for either constant use or audio signals, but for switching high voltages, hence their large size. This relay will outlast the three pole true bypass switches found other pedals. The realy also shortens the signal path, since it is mounted on the circuit board. In bypass, the signal is not routed through any internal wiring which prevents noise from getting into the signal. Remember: True bypass means that when the effect is disengaged, there will be absolutely no loss of tone from your guitar to your amp.
Tubes used in well-designed audio circuitry offer a clarity, richness and purity of tone beyond what is achievable with solid-state (silicon or germanium) transistors, FETs, opamps or even the latest digital modelling technologies. To my ear, transistors and FETs often sound overbright, clinical and even brittle sounding. They are susceptible to transient overload and clip in a harsh and unpleasant way. Digital gear is even more problematic and will splatter the audioband with unrelated harmonic content if signal levels are too high. With careful design these effects can be minimized, however tubes are inherently linear, have immense headroom and produce beautiful soft-clipping when pushed out of their linear region. They’re the right tool for the job of audio signal processing. On an historical note, the first commerically available transistors were used in the mass manufacture of portable radios. The sound quality of these was not exactly audiophile. Additionally, I don’t comosder operational amplifiers appropriate for audio signal processing either. These were originally designed for the purpose of analog computation before digital computers were technically feasible. A typical op-amp contains dozens of transistors and diodes on a silicon substrate and are always used in circuits with negative feedback apllied to control their gain and Bode response.
If operated well within their ratings, good quality signal tubes can last 100,000 hours or more; that’s well over 11 years of continuous use. To extend tube life, we recommend that the pedal is allowed to warm-up for at least one minute after being switched on. This is to allow the heater filament in the tube to heat the cathode, which is coated with a layer of barium and strontium oxide. This oxide layer gets torn off the cathode, a process known as cathode stripping, if the cathode has not reached it’s correct operating temperature, ultimately shortening tube life.
I’ve tested the Roland EV-5 (and more robust EV-7) expression pedal with the Tube-Vibe and it works very well. There’s also a knob on the EV-5 which allows fine-tuning of the range of travel which is usful. One of our dealers also confirmed compatibility with the Moog EP-2 Expression Pedal.
Earth loops can be a common cause of audio noise problems in setups using more than one item of mains operated equipment. If you are experiencing low-frequency hum from your guitar amplifier loudspeaker, then a likely cause is multiple return paths or loops to earth. The solution to this is fairly straight forward – the loops must be broken. This can be achieved by one of two methods. Either by lifting (removing) the earth on your guitar amplifer or tube effects pedal. Or removing the earth (shield) on the lead between the pedal and the amplifier. The second method is safer – note that the earth should feed forward i.e. the break in the shield is near the amplifer. In my experience best results have been obtained by lifting the earth on the guitar amplifer. However extreme caution must be exercised, as your amplifer will only be grounded through the input lead feeding it. Unless you are confident in what you are doing, seek advice from a qualified engineer.