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Blue Bottle Sounds

I Just Don’t Love You Anymore (John Verity) – Recorded using Harrison ‘Mixbus 32c’ software. Fret King guitars into ‘Verity’ custom 18watt all tube amplifier with Tayden 10” speakers. Close microphone AKG C214. Room microphone Maroon Audio MT100. Special thanks to John Verity for recording this sound clip.

B.B. King (John Verity) – Recorded using Harrison ‘Mixbus 32c’ software. Fret King guitars into ‘Verity’ custom 18watt all tube amplifier with Tayden 10” speakers. Close microphone AKG C214. Room microphone Maroon Audio MT100. Special thanks to John Verity for recording this sound clip.

Cleanish amp setting (John Verity) – Single coil neck pickup. Blue Bottle unity gain. Recorded using Harrison ‘Mixbus 32c’ software and Harrison 3D delay VST plugin. Fret King guitars into ‘Verity’ custom 18watt all tube amplifier with Tayden 10” speakers. Close microphone AKG C214. Room microphone Maroon Audio MT100. Special thanks to John Verity for recording this sound clip.

Slightly driven amp setting (John Verity) – Single coil bridge pickup. Blue Bottle unity gain. Recorded using Harrison ‘Mixbus 32c’ software and Harrison Gverb small hall VST plugin. Fret King guitars into ‘Verity’ custom 18watt all tube amplifier with Tayden 10” speakers. Close microphone AKG C214. Room microphone Maroon Audio MT100. Special thanks to John Verity for recording this sound clip.

Slightly driven amp (John Verity) – Single coil bridge pickup. Blue Bottle unity gain. Recorded using Harrison ‘Mixbus 32c’ software and Harrison Gverb & 3D delay VST plugins. Fret King guitars into ‘Verity’ custom 18watt all tube amplifier with Tayden 10” speakers. Close microphone AKG C214. Room microphone Maroon Audio MT100. Special thanks to John Verity for recording this sound clip.

Slightly driven amp (John Verity) – Single coil middle pickup. Blue Bottle unity gain. Recorded using Harrison ‘Mixbus 32c’ software and Harrison 3D Slap Back VST plugin. Fret King guitars into ‘Verity’ custom 18watt all tube amplifier with Tayden 10” speakers. Close microphone AKG C214. Room microphone Maroon Audio MT100. Special thanks to John Verity for recording this sound clip.

Slightly driven amp (John Verity) – Single coil bridge and middle pickups – played finger style at first, changing to pick. Blue Bottle unity gain. Blue Bottle unity gain. Recorded using Harrison ‘Mixbus 32c’ software and Harrison Gverb Small Room VST plugin. Fret King guitars into ‘Verity’ custom 18watt all tube amplifier with Tayden 10” speakers. Close microphone AKG C214. Room microphone Maroon Audio MT100. Special thanks to John Verity for recording this sound clip.

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Blue Bottle Sounds